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This is an album where things linger. You can hear it in “Garden Grove,” in the way those hazy dawn-orange synths keep the singer’s soul uneasy. It’s in the dysphoria of voices that swirl through “Under My Voodoo” and — most obviously — in the nervous tone of the Long Beach PD scanner in “April 29, 1992 (Miami).”.
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.