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After developing a full model of traditional performance, Stan Godlovitch asks how well performance proper has stood up, and where (if anywhere) its unique value lies. This evaluation of music making in the past and future should be of interest to students of aesthetics, the philosophy of music, as well as musicologists and performance specialists.
When you click on links to various merchants on this site and make a purchase, this can result in this site earning a commission. Affiliate programs and affiliations include, but are not limited to, the eBay Partner Network.