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For the follow-up, In Love with Oblivion, the band wisely decided not to change much. Whatever the reason, it's a great-sounding record. There's a lighter, happier feel throughout as well. A couple of songs give in to the underlying gloom beneath the surface; the long "Alien Rivers" is the most Opal-like, with Hargett's vocals sounding more disembodied than usual.
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